Fool me once

2021 really sucked. This year was extremely rough, even moreso than 2020. I’ve never been so bogged down by depression and anxiety before. I’ve never been physically injured so badly before. I’ve never felt so profoundly burned out. The word “exhaustion” doesn’t even cut it.

I worked on myself a lot. Physically and mentally. Felt like most of the time I was struggling to break even, to keep going. To get through the day. There were definitely bright spots. Traveling, as simple as getting out of town for the weekend, either with friends or family. That’s the crux, really – the word simple. As the sequel to 2020 in a shitty franchise that goes on forever, I’ve had to focus on the simple pleasures, and honestly that’s been nice.

I really hope 2022 is better. Dear lord I need that, we all need that. I’m also hesitant to place a bet because this rollercoaster has fooled us all multiple times now. Fool me once.

In 2021 I read the second highest number of books in one year in my adult life. This year I read 25 books, three of which were Harry Potter read out loud to my kids, a few pages each night, complete with all the voices. Man, that was fun! Such a joy to read a Quidditch match as fast as I can to try and spark excitement and action. It’s amazing reading Fred and George’s lines and getting laughs. Books are the best.

This year, I made a point to choose some books with the aim to educate myself on race and the black experience.

• White Fragility – Robin DiAngelo

• I’m Still Here – Austin Channing Brown

• You Are Your Best Thing – Tarana Burke and Brene Brown, editors

All were informative in their own way. You Are Your Best Thing was the most emotional, as a collection of stories and essays from black authors.

I finally finished Barack Obama’s book, which was tough to consume as bedtime reading. Perhaps I should have invested in the audiobook – his voice is quite soothing but would that have made the experience even longer?

• A Promised Land – Barack Obama

I read a bunch of titles that were just meh for me. I wouldn’t really recommend them. I suppose I enjoyed Anxious People the most out of this bunch.

• Anxious People – Fredrik Backman
• Welcome to the United States of Anxiety – Jen Lancaster
• The Sanatorium – Sarah Pearse
• Hush – Dylan Farrow

Here are the other non-fiction titles I read this year.

• The Power Worshippers – Katherine Stewart
• Year of Yes – Shonda Rhimes
• Burnout – Emily and Amelia Nagoski

Power Worshippers was about how evangelical and fundamentalist Christians are working in America (and overseas, actually) to infiltrate the public school system and get people elected to public office, among other things. I had no idea how many churches use public school buildings to save on costs, and in an attempt to recruit young members. Anyway, I saw the book on a shelf and grabbed it and it was an infuriating read. Yes was fun to read and learn more about the woman behind all those hit shows on TV like Grey’s Anatomy and Scandal. Burnout was a self-help book, but SUCH a good one. It speaks to women in context of the patriarchy and explains what burnout is and how to complete the stress cycle in our lives. I’m pretty sure it was written pre-Covid, but my glob, it was exactly what I needed.

This year, The Bloggess, aka Jenny Lawson had a new book come out and it did not disappoint. That woman is skillful at chronicling her experiences with mental illness in such a way that is honest, humanizing, and extremely funny. It’s beyond validating to read.

• Broken, In The Best Possible Way – Jenny Lawson

For my Halloween book this year, I stumbled across Grady Hendrix and he is masterful. He created a slasher book that reads like a movie with exquisite dry humor woven in. I identified with the anxious, protective, badass, sarcastic leading Final Girl and wanted more.

• The Final Girl Support Group – Grady Hendrix

I am a huge Brene Brown fan. I love her work and I love her, both as me the clinician and me the person. Her podcasts have helped me cope over the past 2 years and her new book should be required reading for being human. I’m fascinated with language and how it’s used, and how that shapes our thoughts, feelings, and behaviors. We need a fan club. What are her fans called? Brownies? Friends of Brene?

• Atlas of the Heart – Brene Brown

I won’t list every single book I read this year, but these last four are my top four fiction books of the year.

4. Outlawed – Anna North

A friend recommended this one to me, and I knew enough to take her up on it. It’s an alternate history western that is after the “Great Flu” and is feminist AF. Very fun and interesting to read.

3. The Whisper Network – Chandler Baker

Recommended by the same friend, this one is Big Little Lies meets The Morning Show. It’s a group of women working in corporate America dealing with all the shit women deal with…and it’s a whodunit. It’s good, y’all.

2. The Tattooist of Auschwitz – Heather Morris

This one was recommended by a different friend, one who knows my love of WWII civilian life. This is based on the true story of two people who meet and fall in love living in the Auschwitz concentration camp, if you can call that living. It is an awe-inspiring account of the horrors of war and the resilience of the human spirit. Brought me to tears.

1. The Alice Network – Kate Quinn

By far the best book I read all year. I couldn’t put it down. This one intertwines the storylines of two different women in two different time periods – one is a spy in The Great War and one is pregnant out of wedlock in post-WWII Europe. The way the characters are written are detailed, nuanced, full of trauma. I was on the edge of my seat, and afterward I researched just how true to life the story was. Several of the spies in this book were real people. Real badass ladies.

So there you have it. 2021 was definitely the year to get lost in a good book if there ever was one. Happy New Year, all, and happy reading.

Advertisement

Label Day

Today is Label Day!

Here are the labels I’ve chosen for myself: Feminist Mama.

I feel like these labels have chosen me, really.

Feminism has gotten a bad rap.  Although, now that I think about it, there has always been (and most likely will always be) backlash against feminism…because if not, then there was no need for the label in the first place.  The definition of feminism is simple: the doctrine advocating social, political, and all other rights of women equal to those of men.  That makes me a feminist.  In the words of Maya Angelou – “I’m a feminist. I’ve been a female for a long time now. It’d be stupid not to be on my own side.”  So there you have it.

Mama.  I’ve wanted to be one for as long as I can remember.  And then ovarian cancer made it so I might not be able to be (a biological) one.  I wish I could have known ahead of time that all that worrying about infertility was fruitless (excuse the pun), but such is life.  I am so, so grateful to be able to raise my sweet boy.  He brings the joy (and farts) into my world.

So those are my chosen labels.

Tell me, what are yours?

 

---

NaBloPoMo Day 21

Kicking Ass and Taking Names (in more ways than one)

Since the boyman has been hunkered down in his hole working on his thesis, the two of us haven’t been to many (any) movies recently. So now that he’s all good and gradumacated (pause for applause), we’re going hog wild!!

Basically, we struck a deal. I love women kicking ass and taking names, and Brian loves history and war where men are kicking ass and taking names. This means we went to go see Girl With The Dragon Tattoo and War Horse.

SPOILER ALERT! I reference a few details of these movies, but I don’t spoil any endings. Hopefully you’ve either already seen these movies cuz you’re superfly, or you don’t care about them being minorly spoiled because, hey, it’s better than getting your toes gnawed off by a rabid clown.

TRIGGER ALERT as I reference events of sexual violence.

Both of these movies are about wild, spirited creatures who are being controlled by others more privileged than they are. Both of these movies involve intense violence, perseverance, devotion, and justice. It’s very possible that this is where the similarities end, although if I was in a pinch I could probably drag this on for a few more paragraphs.

Have you ever wanted to watch a movie so moving, so beautifully stunning, so captivating, but still have that constant reminder that you’re in a movie theater surrounded by cranky old people??! Then see War Horse!

I don’t understand why older folks feel it’s ok to talk through movies while at the theater. Do they even realize they are doing it? Do they realize it and not give a fuck? It was all I could do not to turn around and ironically ask them if their parents had ever taught them any manners.

Not only did these cranky-pants folks comment throughout the movie, the things they said were in no way contributing to the richness of the entertainment (although, now that I think about it, unless you’re at Rocky Horror, commenting at the screen will in no way improve the experience). The asinine comments can be placed neatly into 3 categories. Some examples:

1. My personal life and hopes and dreams should be heard by everyone

“My arm hurts…it’s been hurting me all day.”
If you keep talking, more than just your arm will hurt, sister.

“This movie has been everything I had hoped for.”
That’s nice, lady. I had hoped for a movie free of bitching and moaning, but I guess we can’t both have what we want now can we?

2. Captain Obvious to the rescue!

“Whoa, there’s the horse!”

“Ooh, he’ll be competition!”

“Oh look, they’re in love!”

Let’s see if I understand. Either you don’t quite get what’s going on and you’re attempting to confirm your current comprehension level by indirectly asking for input from your fellow moviegoers, or you very much do understand and you are selflessly translating the difficult content so that those around you can catch up. Either that or you have no filter and can’t keep your trap shut. Not sure, though.

3. Maybe if I yell loud enough, Spielberg will hear me

“No, don’t kill him!”

“He’s not dead, he just needs medicine!”

Ok, so that last one was from Lord of the Rings, but still, I admire your sentiment and I actually agree with you that the horse still had more life left in him, but hows about we give the cute horse our moral support in controlled, mature silence?

[Edit: contrary to popular belief, these last two statements do not give away the ending of the movie.  It’s the kind of movie where you’re left guessing til the end.]

Bottom line is that if people want to talk during a movie, then STAY THE FUCK HOME and wait for Netflix.

So I guess that was my review for War Horse. I recommend it, especially if you like horses or war. And the story is an Odyssey story, in that it follows the horse through the war and through various owners, places, and predicaments. My only caution is if you have this rare disease where you’ll die from overactive tear ducts, then don’t see it. And also, if you’re like me and you can’t stand to see animals in pain, then there will be one heart-wrenching scene where you’ll have to look away while your body is heaving with sobs. Needless to say, I felt very cleansed and vulnerable in the aftermath. My therapist would be proud.

————————

Now for Dragon Tattoo.

I read the books, saw the Swedish movies, and now I am licking my chops for the American versions.  I am a huge stickler for staying true to books in the movie versions, and any significant deviation from the original plot warrants a strongly worded letter in my book.

I thought Noomi Rapace’s Swedish performance as Lisbeth in the original movies was pretty well done, and I was skeptical that any second attempt could improve on the character, especially when left in the hands of Americans.  David Fincher  and Rooney Mara did not disappoint!  In fact, I thought that Lisbeth was indeed made much more three-dimensional, we could see a few more layers to her, and there was even some time devoted to giving a peek into her traumatic past, tidbits of the story yet to unfold.  Yes, Lisbeth sometimes chooses violence, but she does so only when she’s provoked and only when she sees no other option.  When we see Lisbeth mugged on the subway, she first hesitates and then runs after the guy and fights only to get her bag back and then runs away.  After her escape, we see her heave a sigh of relief and not one of satisfaction.

In my personal opinion, Lisbeth suffers from severe PTSD (post traumatic stress). The books describe her ability to cut herself off from all emotion and often stare back blankly when she chooses not to answer a question (that choice is yet another way she is able to fight back against her imposed narrative of being victimized and having power taken away from her).  I feel that this vital piece of Lisbeth’s behavior hasn’t been expressed fully enough in either movie version.  The American version did a slightly better job in that Lisbeth avoids eye contact and physical proximity, but the Swedish movies had Lisbeth responding with too many quips, too normal, too wordy, too talkative.  I wish some director out there would have the balls to put that gut-wrenching silence up on screen.  Let her eyes and that defiant silence do the talking.

I very much preferred Daniel Craig as Blomkvist to the actor in the Swedish version for the same reason as Mara – Craig was more human, more 3D.  In this version, Blomkvist was warmer, sweeter and less stoic than in the Swedish version.  He was also a bit more passive and humble.  His reaction when Lisbeth first comes on to him in her no-nonsense fashion was endearing, with his wide-eyed, stammering, chivalrous concern.  And plus, Daniel Craig is an awesome piece of ass to look at.  Thank you, casting director!

Another concern going into this movie was how Americans might portray the rape and sex scenes.  On one hand, I appreciate Europeans being able to portray sex and sexual violence with more transparency, rawness, and in graphic detail.  The books were certainly in graphic detail, and so there’s that part of me that wants the movie versions told as closely to the book as possible.  The American scenes were not as graphic as the Swedish ones, and maybe it was because I have already seen the Swedish scenes that I didn’t feel like anything was lacking from the American scenes.  The fear and pain and anger were all still there.

In closing, an ode to Lisbeth.  I fucking love Lisbeth Salander. She is a tortured soul who doesn’t play the victim.  She uses violence only when she doesn’t see any other options, but when she does use violence it’s with awesome warpaint that would scare the shit out of Hitler, let alone pathetic rapist pigs.  She’s not a maneater or oppositional-defiant in a negative clinical sense.  She’s not empowered by the violence she inflicts, she merely wants to level the playing field that has been tipped against her favor even before she was born.  People like me relish watching her take her power back from her abusers in any creative way she can think of, like tattooing their heinous acts on their chests.  She does the things that I sometimes wish I could do and she says the things I sometimes wish I could say.  She doesn’t abide by gender norms or sexual norms, she does what she wants, when she wants, and basically just asks people to leave her the hell alone.  My inner angsty-feminist teenager squeals with pleasure when Lisbeth comes on the screen.